NEHH Presents… PAWS + The Spook School + Adam Stafford

NEHH Presents… PAWS + The Spook School + Adam Stafford

Fri 24 Jun 2016
20:00 - late

_ Price: £12 Advanced/£14 On the Door
_ Age Group: 18+
_ Venue: The Dissection Room
Tickets

In 2012, Paws released the Misled Youth EP followed shortly by their debut full length album Cokefloat!, which garnered critical acclaim from the likes of Pitchfork, BBC and SPIN. That album, recorded by ex-Test Icicle, Rory Attwell on the boat/studio “Lightship95,” introduced the band’s explosive songwriting to the world, boiling down emotionally charged lyrics with the whiplash snap of punk.

More than just the third PAWS record, No Grace is representative of a transformative period of time in the band’s life and is the gravel-throated affirmation of that ‘do it or die’ attitude that informs any great work of passion. It’s the song you sing when you get kicked in the teeth; the decision you make to get back on your feet and rattle off another punch; it’s the humility of defeat and the ecstasy of triumph because you never gave up. But more than anything, it’s the sound of the pure fucking energy and joy that comes from making something with your whole heart.

As well as being a statement of intent, No Grace was that opportunity to go big or go home. So PAWS went big. After discovering a mutual appreciation between themselves and bassist/ producer Mark Hoppus (Blink 182/+44), PAWS enlisted his support to help push these new songs to their wildest heights and pack the heftiest punch they could muster.

Adam Stafford returns with his first album in nearly three years following the widely acclaimed `Imaginary Walls Collapse’ in 2013. `Taser Revelations’ was recorded in Song, by Toad’s newly acquired Warehouse recording space and features Producer and multi-instrumentalist Robbie Lesiuk performing a variety of instruments and also joining Stafford on stage for this performance.

Continuing Stafford’s trajectory into electrified alt. Pop, `Taser Revelations’ begins with some of the most melodically catchy songs he has ever written, before taking a swerve down a dark alley midway through with Industrial syncopation, samurai-guitar attacks and some unsettling, vivid imagery.