Thus Spoke…review

The Herald / Neil Cooper


In the spotlight, a man in a waistcoat stares the audience in the eye and tells us how lucky we are to be here, watching Thus Spoke… Three others – a man and two women – drape themselves around pillars at the edge of a big square of space as a wall of lights glows behind him. During the first man’s reverie, he sprawls himself out on the floor, before a burst of raw blues by Jimi Hendrix punctuates the scene, acting as a bridge before the next person takes the mic to let rip, and on it goes, ad nauseum.

Dating from 2014, and originally performed in French by Quebec’s Groupe Gravel/Lepage, this ensemble piece of existential psycho-drama that forms part of the Canada Hub season is akin to a grown-up parlour game. Verbal riffs tumble out without any filter, as if senses have been over-stimulated somehow.

The physical tics that accompany each amplified speech suggests those onstage are trying to climb out of their own skin. This becomes more like a series of routines from what might be the bleakest open mic night on the circuit. As the quartet dance in unison for dear life, each bares their scars in a fusion of nihilistic gestures that would make Nietzsche raise a smile of recognition.