Edinburgh’s favourite independent performing arts venue Summerhall is working with international cultural phenomenon Fair Saturday this St Andrew’s Day to present FAIR PLAY, celebrating some of the artists who’ve been involved with Summerhall’s Artist Development Programme.
Lost Map's Christmas HUMBUG! is a live music showcase of familiar faces, special guests, and good festive cheer, taking place over two consecutive nights in Scotland's central belt.
Few artists work from as broad and eclectic a platform as James Yorkston. Growing up in the village of Kingsbarns in Fife, James has been releasing a series of much acclaimed albums on Domino Records since 2002 – His debut album ‘Moving Up Country’ was ‘Rough Trade Album of the Year’. Support from Brighde Chaimbeul.
Pigs Pigs Pigs Pigs Pigs Pigs Pigs have left the wiser of us aware that they are no band to be messed with. In the seven years since this band’s inception, the powerful primal charge at their heart has been amplified far beyond the realms of their original imagination. The band’s upward trajectory has done nothing to make the Newcastle-based quintet complacent however, as they’ve used the cumulative force behind them as fuel for their most ambitious and hard-hitting record yet.
It’s not The Brothers Fife without Christmas… and this year Fife’s iconic pop duo are back and bigger than ever before. With new festive material and the same Scottish attitude join us for a live evening from the Kingdom of entertainment - only at Summerhall.
Yes, the long awaited fourth plate full! Featuring poetry, music, spoken word and dreamdust from poets Hollie McNish and Michael pedersen, musician Withered Hand and one very special guest still to be announced.
Viagra Boys are a Swedish post-punk band from Stockholm. The band formed in 2015, with several members coming from the bands Les Big Byrd, Pig Eyes and Nitad. In 2018, they released their debut album Street Worms. Nils Hansson, a journalist at the newspaper Dagens Nyheter described the band favourably, praising their musical style, as well as their use of black humour and satire, and rated the album a five out of five.
