Monthly Archives: July 2011

Jamie Fitzpatrick

ZWART Creative Bureau presents ‘(dis)ambiguation’. Featuring the work of three award winning young artists, Jamie Fitzpatrick, Ashley Niewenhuizen and Stephanie Richardson, the exhibition presents a collection of sculptural investigations that challenge genetic normality, investigate the fragility of form and identity and focus on each artist’s fascination with hybrid creatures.   Jamie Fitzpatrick is a sculptor [...]

Summerhall Artist in Residence: Jim Arcola

We are pleased to announce a joint Summerhall artist residency for artists Tim Taylor & Kenny Watson A.K.A Jim Arcola who will be engaged in the creation of site-specific work inspired by the unique site that is  the former Dick Vet – an environment in transition. Kenny Watson a.k.a Jim Arcola, is an Edinburgh based [...]

Summerhall Artist in Residence: Tim Taylor

We are pleased to announce a joint Summerhall artist residency for artists Tim Taylor & Kenny Watson A.K.A Jim Arcola who will be engaged in the creation of site-specific work inspired by the unique site that is  the former Dick Vet – an environment in transition.

Ingrid Christie, Meta Phase

Summerhall in Edinburgh (festival Fringe venue 26), was for a century the Royal (Dick) School of Veterinary Studies.  Ingrid Christie has photographed the site and derived a large series of potent images, many of which are now on show at Summerhall. They tie in with several major themes in her artworks.  One is making cross-cultural [...]

The Demarco Archive 1930-2011 : Art & War

This exhibition is inspired by the history of the Edinburgh Festival since 1947, and the lives of artists such as JOSEPH BEUYS (who famously said ‘Kunst ist Kapital’ and ‘Show your wounds’ ) and TADEUSZ KANTOR, along with the practitioners of his Cricot 2 Theatre Company (two of whom, Andrzej and Teresa Welminski, directed the Rose Bruford College [...]

The Practice of the Impossible: A Discussion

Last year Summerhall’s Director Rupert Thomson wrote a far-fetched manifesto called ‘The Theatre of the Impossible’, which has since been presented at Battersea Arts Centre, the Victoria and Albert Museum, and with the National Theatre of Scotland. For this event he will be in conversation with a selection of contemporary theatre practitioners about making the impossible real: What does that even mean? And why would we want to do it if we could? General questions about the meaning of life are also likely to be touched on: come and share your impossible experiences.

Mike Slott (live soundtrack for The Return) / Asthmatic Astronaut / Dam Mantle

This year, as part of Ten Tracks’ exploration of the cinéconcert format, the LuckyMe collective bring Mike Slott to the Fringe to perform his alternative soundtrack live to the award-winning Russian film ‘The Return’. Mike Slott is an Irish producer who now operates fromNew York City. Slott’s productions are characterized by layered dark hip hop beats [...]

ACT GREEN

What can the performing arts do about Climate Change? Is it the role of artists to address major global issues? And if so, how? A range of experienced speakers will discuss this highly topical and emotive issue.

Presented by the BiDiNG TiME project.

The Future of Edinburgh Arts incorporating The Selfish Banquet

Summerhall, one of Edinburgh’s newest multi-arts festival venues, brings outstanding arts practitioners from around the world together to share their expert opinions on the future of the arts in Edinburgh. Incorporated in this discussion is the pilot version of Selfish Banquet, a performative discussion meal hosted by Zecora Ura and commissioned by LIFT, where preparing, serving and sharing food stimulates the palate whilst provoking debate.

From Plato to Primal Scream: Music and its connection to Philosophy

Music and politics. Music and ethics. Music and logic. Music and knowledge.
Music and Philosophy have been linked throughout the history of Western thought from the ancient Greeks onwards. This talk, given by Dr Edward Campbell, a lecturer in the Music Department at the University of Aberdeen and a renowned academic, speaker and published writer will explore a number of the key historical encounters between music and philosophy as well as looking to how the two continue to be implicated in ever new ways by musicians and philosophers.

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